Mozart. What Else?
Concert by the Marenzio Consort STU.D.I.O. on Historical Instruments Marking the Inauguration of a Walter Fortepiano
A New Portal for Artistic Research and Cultural Heritage at Italian Higher Arts Education Institutions
Launch of the IartNET Portal
La prova di un'opera seria
A One-Act Farce by Francesco Gnecco
The Lives and Afterlives of Teaching Collections
Art Academies as Laboratories of Cultural Heritage
A Photographer, an Art Collector, and the Exciting Discovery of Color Reproductions
Alvin Langdon Coburn, Charles Freer, and the Autochrome in 1909
Disorienting the Gaze, Rewriting the Minor Archive
Actio, Music, and the Body: Towards a Total Art
Seminar and Masterclass in Historical Acting
Music Criticism in the Age of the Digital Turn
The Robert Klein Meteor
Contemporary Perspectives on Art Criticism
Cultural Heritage, Research, and Citizenship
The Carrara Academy of Fine Arts Project
Historic Photographic Techniques and their Identification
Notes from a Photograph Conservator and Collector
Luigi Manenti Composition Laboratory
Round Table and Inauguration
Amore, Lacrime e Meraviglia
Madrigal and Opera in the Late Renaissance and Early Baroque Periods
Management and Conservation of Photographic Collections
At the Accademia di Belle Arti di Carrara
New Directions for Participation in Cultural Heritage
Artistic Research in Italy
Current Developments and Perspectives
Johann Adolf Hasse and the Music of His Time
International Study Day
Towards a Doctoral Curriculum in Artistic Research
Code as Material
Creative Coding Foundations for Artistic and Design Practices
Thinking Photography
New Strands in Photo Research
Masterclass on Gerry Mulligan (Azione Mulligan)
By Alyn Shipton
Cross-Sector skills in the Cultural and Creative Industries
Technologies, Research Methodologies and Approaches to Digital Technology
Evaluation and Assessment of Artistic Research
Working Group
Introduction to the Cataloguing of Printed Musical Resources in SBN
Design and Planning of International Artistic Research
Working Group
Brescia: Il Cantico de’ tre fanciulli (1774)
Oratorio by Johann Adolf Hasse for soloists, choir and orchestra
Darfo: Il Cantico de’ tre fanciulli (1774)
Oratorio by Johann Adolf Hasse for soloists, choir and orchestra. Italian premiere on period instruments
Reorganisation Methods for Museum Storage within the Framework of Collection Management
Project Funding Opportunities, Erasmus+ Mobility and Digitisation
Practical Tools for the Internationalisation of Higher Music Education Institutions
Cataloguing Photography
Methods, Standards, and Research Perspectives
Narratives of Contemporary Brera
Post-Graduate Courses
Working Group
Digital Communication for Music & Cultural Heritage
Narrative Perspectives for Contemporary Art: Brera and Its Living Protagonists
Self-Portraits, Forms of Representation and Storytelling
From STEM to STEAM
How Cross-Sectoral Practices Are Shaping New Job Opportunities for Cultural and Creative Industries Professionals
History of Art and Fine Arts Academies
Origins, Developments, Perspectives
The “Antegnati” Organ of Darfo
Research, Heritage, and Sound
Shadow Archives
Artistic Pedagogies and the Politics of the Copy in the Nineteenth Century
Perspectives on Artistic Research
Unfolding Paper
History, Materiality and Uses of Western Papers
Paper, Watermarks, and Artistic Practices
New Perspectives from the Brera Academy Collections
Phenomenologies of Archives
Artificial intelligence / Artistic Innovation
Experiences, Education, and Opportunities in Artistic Research through AI
Research Catalogue Workshop
An introduction to the versatile and most widely used online Platform for Artistic Research
Theories and Practices of Contemporary Artistic Research
A transdisciplinary Approach